Welcome to the Museum of Natural & Artificial Ephemerata (MNAE), where you have been all along! We are one of the few remaining in-home, family-run museums in America. Our mission is to preserve endangered modes of collection, to offer a venue where the public can share objects and their stories, and to contemplate diverse processes of collecting.
We rely on donations to keep our in-home museum open. You can make a suggested donation for a souvenir, or make a PayPal donation through the link below. THANKS!
"the impermanent collection," our signature exhibition
SURVEYING that PETRIFIED TERRAIN better known as ARCHIVAL COLLECTING
Visitors to the impermanent collection will tour five interwoven collections:
The Celebrity Collection Naturalia & Artificialia Urban Phantasmagoria
The Snowglobe Collection
...And an Entire Wing Dedicated to SLEEP!
The impermanent collection embeds
within its displays, its aesthetic, and its very representational
methods a rough map of the histories of collecting. Our panoramic vision glides from saintly relics to wunderkammern,
and from public museums founded in the Enlightenment's wake to mutant
museums marketed for urban leisure -- namely, dime museums, world's
fairs, and theme parks. Each of these historic forms of collection dealt
the public a stacked deck, playing games with the tensions between
truth and falsehood, nature and culture, life and death. The impermanent collection shuffles those
An allegory of loss, the impermanent collection demonstrates the most advanced methods for
the reproduction of absence, easily "the most profound treatment to date" (Jean Baudrillard) concerning that ineffable
silhouette of modernity which measures out, in negative, the penetration and patrol of rationalization.
Like a smoke-enswirled detective, the impermanent collection powders the vanishing tracks
of that process known as disenchantment.
The Museum was founded by Mercury Curie and Rasputin
Zaplatynska (a.k.a. Rolls Joyce, Jr. ) in Tucson, AZ, on November 7th,
1921, in the early afternoon, during a monsoon storm, as winged ants
took to the sky. Their goal was to explore histories and forms of
collecting, with an emphasis on preserving endangered modes of
collecting (saintly relics, wunderkammern, and dime museums in
particular) -- a sort of zoo for museums. Although the original curators
passed away in the 1940s, the current curators, Scott and Jen Webel
(Scott being Zaplatynska's great grand nephew) reopened the museum in
Tucscon in 1999 before moving to Austin, TX, in 2001. In Austin, we
began curating community themed exhibitions to expand on our signature
displays in the impermanent collection.
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